Introduction

Albrecht Dürer, one of the most renowned artists of the Northern Renaissance, created a series of self-portraits throughout his career. Among them, Self-Portrait at 28 (1500) stands out as a masterpiece that showcases Dürer's exceptional skills and deep understanding of human anatomy, perspective, and symbolism.

Background and Analysis

Self-Portrait at 28 is the last of Dürer's three painted self-portraits. It was created when he was on the verge of turning 29, and it reflects his maturity as an artist. The painting features Dürer in a three-quarter view, dressed in fine clothing and adorned with a fur collar. He gazes directly at the viewer with a serious expression, holding a painter's staff in his right hand.

Dürer's use of linear perspective and chiaroscuro in this painting is remarkable. The subtle shading and highlights create a sense of depth and volume, while the background landscape adds to the overall composition. Moreover, Dürer incorporated various symbols into the painting, such as the artist's staff, which represents his profession, and the Latin inscription "ALBRECHT DÜRER NORICVS FACIEBAT ANNO AETATIS SUAE XXVIII," which translates to "Albrecht Dürer of Nuremberg made this in the 28th year of his age."

Historical Context and Influence

Self-Portrait at 28 is an essential work of the Northern Renaissance, a period marked by significant artistic, cultural, and intellectual transformations in Europe. Dürer's self-portrait embodies many characteristics of this movement, such as naturalism, individual expression, and humanism. It also reflects the influence of Early Netherlandish painting, which was known for its complex iconography and advanced techniques in oil painting.

Availability at ArtsDot.com

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